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Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This led to a large and drawn-out firefight between the Army Rangers, US Special Forces, and hundreds of Somali gunmen; resulting in the destruction of two U.S. Black Hawk helicopters. The film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on SSG Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Chief Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved.
Blackhawk Down torrent
I vividly remembered the news reports in October 1993 of the body of an American serviceman being dragged through the streets of Mogadishu following the battle there . A couple of years later my interest of the battle was rekindled by an edition of the BBC`s excellent history show TIMEWATCH that spoke to the survivors of " The biggest firefight involving American troops since Vietnam " , so when Mark Bowden released his book BLACK HAWK DOWN I opened the first page and found myself unable to put it down , and when I heard Ridley Scott was going to bring Bowden`s book to the big screen I was looking forward to seeing it I did enjoy the movie and have to take issue with some of the comments raised . First of all people complain about events and incidents being changed , I know how you feel but with any adaptation there`s bound to be bits condensed , the only real criticisms that can justified is that this film version totally negates the Somali point of view ( For those of you who haven`t read the book Mark Bowden writes his account in a similar subjective manner Corneilus Ryan wrote his trilogy - two of which THE LONGEST DAY and A BRIDGE TOO FAR were made into blockbuster movies - dealing with the last months of the war in Europe ) but Bowden`s book is an account of the battle of Mogadishu , that`s what it is - An account that doesn`t really concern itself with wider issues like politics or anti-war sentiment , so it seems churlish to complain about concepts like character development because that`s not what the story is about . I`ve also heard teenage girls complain that Orlando Bloom doesn`t get enough screen time and that they found it too violent . I`m sorry to hear that girls , hopefully next time you go to the cinema you might like to find out what you`re letting yourself in for . As for the rest of the screenplay it is accurate right down to the friction between the Deltas and the Rangers and the fact the Americans were actually rescued by a UN force composed of Malaysians and PakistanisRidley Scott rightly deserved an Oscar nomination with BHD . It`s his movie and he surpasses anything Spielberg achieved with the overrated SAVING PRIVATE RYAN . War is hell and this is a film of stark and haunting imagery of victims of famine , of mutilated soldiers and civilians . Both editing and cinematography are superb with many great scenes like the small stream of American soldiers walking up the street while on the other side of the houses a massive torrent of armed militiamen are walking in the same direction . My only real complaints of what`s on screen is Ewan McGregor`s awful American accent ( It`s especially so when you stop to consider that most of the cast aren`t played by American actors )and Hans Zimmer score resembles that of most of his other movies , but I shouldn`t nitpick because I found this Scott`s best film alongside GLADIATOR
Ridley Scott directs a muscular retelling of the ill fated mission in the Somalian civil war in 1993. Somali warlord Mohamed Farrah Aidid declared war on the remaining UN personnel and US forces were deployed to capture Aidid.As always Scott assembles a multi-national cast and future rising stars to tell his story without resorting to war movie clichés. This is a full on assault with bullets flying as the crew of the downed helicopter stave off the Somali militia as their comrades try to extract them whilst other US soldiers try to reach the safety of the UN safe zone.It very much tells the story from the soldiers view and gives a more realistic impression of conflict. It dwells little on the politics but focuses on action but also mixes this with humour even if it might be of the bleak kind. Eric Bana, Josh Harnett give the best performances and good support provided by Tom Sizemore, Ewan McGregor, Ewen Bremner, William Fichtner and Orlando Bloom.This is a strong film, not for the faint-hearted.
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Once again, director Ridley Scott has employed composer Hans Zimmer to score a motion picture, following their collaboration on Gladiator (2000) and Hannibal (2001). From ancient Rome to the world of a serial killer, Scott's settings vary considerably, and Black Hawk Down presents yet another musical challenge, set in Mogadishu, Somalia, during a failed mission by UN peacekeeping (i.e., U.S. military) personnel in 1993. Zimmer has done his homework on traditional North African music as it meets the late 20th century; his work combines identifiably Middle Eastern strains with elements of techno. The key to the approach is the use of vocalists Baaba Maal ("Hunger," "Still") and Rachid Taha (Taha's own co-composition "Barra Barra"). Although the music is quite aggressive early on, the later tracks reflect the mission's troubles. Denez Prigent and Lisa Gerrard's "Gortoz a Ran -- J'Attends" is distinctly elegiac, and the symphonic "Leave No Man Behind" toward the end makes it clear that, even if men haven't been left behind, they haven't necessarily been brought back alive. This sadness is given its final expression in a new recording of the traditional song "Minstrel Boy" by Joe Strummer and the Mescaleros (an earlier version is on their 2001 album Global a Go-Go) that plays over the credits. Zimmer used an unusual method to play this score, putting together the BHD Band, consisting of himself on keyboards, guitarists Michael Brook and Heitor Pereira, and string players Craig Eastman and Martin Tillman, and in effect jamming on much of the music, with orchestral scoring added later. He has achieved a style that works well for the downbeat, if suspenseful, tone of the film and its exotic setting.
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Instead, they were pinned down through a long and terrible night in a hostile city, locked in a desperate struggle to kill or be killed. When the unit was finally rescued the following morning, eighteen American soldiers were dead and dozens more badly injured. The Somali toll was far worse: more than five hundred killed and over a thousand wounded.
There were signs this one would go. The commander of Task Force Ranger, Major General William F. Garrison, had come out to see them off. He had never done that before. A tall, slender, gray-haired man in desert fatigues with half an unlit cigar jutting from the corner of his mouth, Garrison had walked from chopper to chopper and then stooped down by each Humvee.
And the armada launched, lifting off from the shabby airport by the sea into an embracing blue vista of sky and Indian Ocean. They eased out across a littered strip of white sand and moved low and fast over running breakers that formed faint crests parallel to the shore. In close formation they banked and flew down the coastline southwest. From each bird the booted legs of the eager soldiers dangled from the benches and open doors.
He knew their faces so well they were like brothers. The older guys on this crew, like Eversmann, a staff sergeant with five years in at age twenty-six, had lived and trained together for years. Some had come up together through basic training, jump school, and Ranger school. They had traveled the world, to Korea, Thailand, Central America ... they knew each other better than most brothers did. They'd been drunk together, gotten into fights, slept on forest floors, jumped out of airplanes, climbed mountains, shot down foaming rivers with their hearts in their throats, baked and frozen and starved together, passed countless bored hours, teased one another endlessly about girlfriends or lack of same, driven out in the middle of the night from Fort Benning to retrieve each other from some diner or strip club out on Victory Drive after getting drunk and falling asleep or pissing off some barkeep. Through all those things, they had been training for a moment like this. It was the first time the lanky sergeant had been put in charge, and he was nervous about it.
It was midafternoon, October 3, 1993. Eversmann's Chalk Four was part of a force of U.S. Army Rangers and Delta Force operators who were about to drop in uninvited on a gathering of Habr Gidr clan leaders in the heart of Mogadishu, Somalia. This ragged clan, led by warlord Mohamed Farrah Aidid, had picked a fight with the United States of America, and it was, without a doubt, going down. Today's targets were two of Aidid's lieutenants. They would be arrested and imprisoned with a growing number of the belligerent clan's bosses on an island off the southern Somali coast city of Kismayo. Chalk Four's piece of this snatch-and-grab was simple. Each of the four Ranger chalks had a corner of the block around the target house. Eversmann's would rope down to the northwest corner and set up a blocking position. With Rangers on all four corners, no one would enter the zone where Delta was working, and no one would leave. 2ff7e9595c
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